Dan Farah

Overview

Dan Farah is an American documentary filmmaker and producer who made his directorial debut with The Age of Disclosure (2025), a comprehensive examination of the modern UFO/UAP disclosure movement. The film premiered at SXSW on March 9, 2025, and received theatrical and streaming release on November 21, 2025, becoming a breakout success in the documentary space and generating substantial cultural conversation around government UAP transparency.

The Age of Disclosure (2025)

Farah's directorial debut film runs 109 minutes and features Luis Elizondo as narrator, examining the 2024-2025 UAP disclosure landscape following the Pentagon's public releases and congressional hearings. The documentary synthesizes testimonies from military pilots, government officials, and researchers into a polished narrative aimed at mainstream audiences. It premiered at South by Southwest on March 9, 2025, and received significant media attention upon its theatrical release.

The film became an Oscar-contending documentary and achieved remarkable VOD (video-on-demand) performance, outperforming many comparable documentary releases. Critical reception emphasized Farah's technical polish and ability to make complex UAP transparency issues accessible to non-specialist audiences, though some critics noted selective framing of controversial claims.

Role in Modern Disclosure

As a filmmaker entering the UFO/UAP research space during peak disclosure momentum (2025), Farah represents a new category of media professionals bringing production resources and mainstream distribution to UAP narratives. His collaboration with Elizondo and backing by established producers signaled major entertainment industry engagement with the disclosure agenda, moving UAP storytelling from fringe documentaries into prestige cinema channels.

Production Context

The film was produced by Farah Films, with executive producers including Colin Frederick and Shara Senderoff. Vincent Wrenn handled cinematography, with editing by Spencer Averick and Colin Frederick. The score by Blair Mowat provided dramatic underscoring typical of contemporary prestige documentaries. The production team's background suggested significant financing and distribution resources backing the project.